Inside Garageband, the Little App Ruling the Sound of Modern Music

Musicians’ applause for Apple’s Garageband — which celebrates its 15th birthday this year, humbly, still living in the media shadow of many of the tech giant’s more glittering products — is similar across genres and skill levels. Artists from Radiohead to Kendrick Lamar have used the app to demo, produce and sometimes even finalize master recordings.

Aspiring artists, naturally, take advantage of free products. (All the pre-loaded loops in Garageband are also royalty-free.) “Some people are so good at making demos in Garageband that they bring in something and I’m like, ‘We can use 80 percent of that as the final record if you want,'” says Mike Elizondo, who’s produced with artists such as Dr. Dre and Eminem and also worked as an A&R executive at Warner. “There have been times an artist will bring in a vocal they recorded in Garageband just using a laptop internal microphone and it sounds cool.

In the first media visit Apple has ever allowed to its under-the-radar Music Apps studio, the team of engineers showed Rolling Stone how the creation process for Garageband’s two types of sounds — synthetic and “real” — can span weeks or sometimes months per instrument, with new hurdles at every turn. Synthesized sounds (i.e. the type of obviously artificial notes often heard in EDM) are made from code and tweaked by code; “real” sounds have to be recorded in a drop-dead-silent studio setting, dozens of times, then pieced together like patchwork to form single perfect notes, one by one.

More interesting insights into the secret recording studio at Apple at www.rollingstone.com/music/mus…

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